How do we experience disaster films in cinema? And where does disaster cinema come from? The two questions are more closely related than one might initially think. For the framework of the cinematic experience of natural disasters has its roots in the mid-eighteenth century when the aesthetic category of the sublime was re-established as the primary mode for appreciating nature's violent forces. In this book, the sublime is understood as a comple...
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Features new analysis of Hector Zamora's oeuvre alongside a discussion of his topical, site-specific work created for the 2020 Roof Garden Commission at The Met The work of Mexican artist Hector Z...