Dickens' novels, like those of his contemporaries, are more explicitly indebted to the theatre than scholars have supposed: his stories and characters were often already public property by the time they were published, circulating as part of a current theatrical repertoire well known to many Victorian readers. In this 1998 study, Deborah Vlock argues that novels - and novel-readers - were in effect created by the popular theatre in the nineteenth...
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This book explores the rise of the aesthetic category of addiction in the nineteenth century, a century that saw the development of an established medical sense of drug addiction. Drugs and the Addict...