Tessa Hadley examines how Henry James progressively disentangled himself from the moralizing frame through which English-language novels in the nineteenth century had imagined sexual passion. Hadley argues that his relationship with the European novel tradition was crucial, helping to leave behind a way of seeing in which only 'bad' women could be sexual. She reads James's transitional fictions of the 1890s as explorations of how disabling and di...
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Since Hedda Gabler exploded on to European and American stages in the 1890s, the play and its title character have troubled and transfixed audiences, performers and critics the world over. In this sou...