Flexible sanding sheets with a unique grit composition on an innovative flexible backing, which is ideal for curved surfaces and rounded areas. Provides extremely uniform sanding with maximum control....
This is a high intensity black nitrocellulose lacquer finish, based on the lacquer as used by Gibson. Used mainly in models like the Les Paul Custom “Black Beauty”, this deep black shade combined with...
This polish is a fine-grained, glossy compound. It is designed to give a shiny finish to the surface after using our compound cut polish (article number: #55197 / N920739112). It cleans the entire sur...
Here's the classic white finish by Gibson, also called “Alpine White”. It is advisable to apply a clear finish over it to protect the color and give depth. Colours for vintage-inspired guitars After...
The Gibson Les Paul Standard guitar began production in 1958, at a time in American culture when custom color choices from major manufacturers in the auto industry were becoming very fashionable. This...
Olive drab is a duller shade of olive green. It is widely used as a camouflage colour in military uniforms and was particularly associated with U.S. troops during the second world war. Drab is actuall...
If you are looking to turn your guitar into an authentic vintage guitar, Nitorlack Relic Patina is the perfect solution. By applying this product to a cracked or dented guitar, you will achieve an age...
This new nitrocellulose is plasticizer-free. It’s an accurate recreation of the nitrocellulose used by Fender and Gibson throughout the 60s. The plasticizer-free formulation increases the rigidity; us...
The famous butterscoth blonde colour was originally introduced in 1952 by Fender, using it for the birth of the Telecaster model. It is a semitranslucent colour; the amount of woodgrain visible depend...
This is a white finish with a yellow-cream hue, as featured on Fender guitars from 1960 to 1974. It's colour is based on the effect of aging of the top coat on older white Fender guitars. It is an opa...
The original name of this colour for cars was Teal. The suffix “Green” was added by Fender when they started using it as a custom colour option. It first appeared in 1962 on Ford/Lincoln cars as Rivie...
This dye has a classic Old Gold tint, suitable for electric guitars and basses but also specifically for classical and flamenco guitars. The NitorTINT dyes are concentrated enough for dyeing all kind...
This is a light, slightly faded version of the mid '60s Pelham Blue finish that was occasionally used by Gibson on SG's, 330's, 335's and Melody Makers. It was also even less often used on Epiphone mo...
Charcoal Frost was used on Lincoln Continentals from 1965 to 1966, and also on the 1965 Ford Thunderbird. Fender adopted it as custom colour in their catalog in 1965. As it ages it tends to fade to gr...
Production of the Gibson Les Paul Standard with Goldtop finish began in 1952 and continued through 1958. During this period, Les Paul Standards featured a Goldtop maple top and mahogany body. These gu...
The semi-translucent blue finish reveals the grain of the wood. It's great for use with figured or flamed maple tops as used on the Gibson Les Paul. You can highlight the grain or flamed top of your g...
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