Quart here extends her previous writings on what she terms `the best narrative cinema: women-centered cinema' and feminist filmmaking. Quart addresses American, Western European, and Eastern European directors, closing with Third World examples. Arguing that independent filmmaking best serves the quest for a woman's voice and vision, Quart chronicles the survival of women directors. She traces a heritage of women directors inside the Hollywood sy...
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Tony Richardson's 1968 Charge of the Light Brigade , with its star cast, lavish sets and location shoots, was one of the most expensive British films ever made. Mark Connelly examines the film, its p...
For the first time this volume makes Jean-Pierre Meunier's insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film stud...