'One evening,' wrote Jean Genet in a prefatory note to The Blacks (1959), 'an actor asked me to write a play for an all-black cast. But what exactly is a black? First of all, what's his colour?' Stereotyping, masking and clowning would be the tools with which Genet dissected settled ideas of race and identity in this, one of his most successful (and controversial) works for the stage. 'In form, [The Blacks] flows as freely as an improvisation, wi...
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A contemporary biography of a notorious actress, dancer, and playwright who scandalized sex-obsessed Berlin during the 1920s chronicles the life of Anita Berber, who often haunted hotel lobbies, night...