At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a politica...
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Kat'a Kabanova is both the first Janacek opera to have been performed in Britain and the one which has received the most productions in Britain and the USA. In this book John Tyrrell brings together l...