During the 1870s and 1880s, a group of French artists, including Pissarro, Monet, and Renoir, adopted a style of painting and subjects that challenged the art prompted by the Academie Francaise where official assumptions about the meaning of painting prevailed. This compact, well-priced survey of the movement features 60 reproductions of some of the most renowned works, and a highly readable introductory text.
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Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between d...
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