In a theatre which self-consciously cultivated its audiences' imagination, how and what did playgoers 'see' on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence - the majority previously unpublished - for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their re...
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This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term 'interculturalism' in theatre and performance studies. Lo...
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