This 1986 book tackles the large and difficult but relatively unexplored topic of how Shakespeare viewed his own craft and creativity. What was his sense of prosody, imagery, poetic structure, and invention? Did he have specific views on acting, the purposes of drama, the unities and audience participation? Was there a conscious theoretical basis to his creation of dramatic personae? What did he think of artistic in relation to natural creativity...
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Criticism of monastic life by one of Europe's major Renaissance figures. In his letter Against Monastic Life (1514-17) Andrea Alciato, an Italian jurist and writer famous for his Emblemata, urges his...
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